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The Poem She Wrote

on a Napkin Changed My Life

By The Curious WriterPublished about 19 hours ago โ€ข 4 min read
The Poem She Wrote
Photo by Mrika Selimi on Unsplash

How 47 Words From a Stranger Rewrote My Story

THE NAPKIN AT TABLE SEVEN โœ๏ธ

I was waitressing at a diner in Brooklyn, twenty-three years old, three months behind on rent, recently dumped via text message by a boyfriend who described me as "too much" which is a phrase that sounds specific but actually means nothing except that the speaker has decided you are not worth the effort of genuine feedback, and I was carrying plates of eggs and toast to table seven where a woman approximately seventy years old sat alone reading a poetry collection with her coffee and I envied her stillness, the way she occupied space without apology as though she had earned the right to sit quietly in a noisy diner and read poems without justifying her existence through productivity or performance, a right I had not yet discovered I also possessed โ˜•

When she left she placed a five-dollar tip on the table which was generous for a three-dollar coffee and beneath the bill was a napkin with handwriting in blue ink that I almost threw away with the other table debris before noticing that the handwriting contained not a note but a poem, forty-seven words arranged with the deliberate line breaks and compressed intensity that distinguish poetry from prose, and I stood in the middle of the lunch rush holding a dirty napkin and reading words that a stranger had written either for me specifically or for whoever happened to clear her table, and either way the words found exactly the person who needed them at exactly the moment she needed them ๐Ÿ“

THE FORTY-SEVEN WORDS ๐Ÿ’ซ

The poem on the napkin read:

"You carry yourself

like an apology

for taking up space.

Stop.

The room was empty

before you entered it

and will be empty

after you leave.

The least you can do

is fill it

while you're here.

Not quietly.

Not carefully.

Loudly.

Like you mean it.

Like you matter.

Because you do." ๐ŸŒŸ

I read the poem three times standing between tables six and eight with a tray of dirty dishes balanced on my hip and my eyes filling with tears that I could not wipe because both hands were occupied, and the words landed with the specific impact of truth recognized rather than truth learned, because I already knew I was apologizing for my existence but I had never heard anyone name the behavior directly or give me explicit permission to stop, and the poem's imperative voice, its commands to stop and to fill the room loudly, felt like someone reaching through the noise and the busyness and the shame and grabbing me by the shoulders and saying what my own internal voice had been trying to say for years but that was always drowned out by the louder voice that said I was too much and not enough simultaneously ๐Ÿ’ช

HOW 47 WORDS CHANGED EVERYTHING ๐Ÿฆ‹

I took the napkin home and pinned it to my bathroom mirror where I would see it every morning before leaving for whatever combination of shifts and side hustles constituted my attempt to survive in a city that charged premium prices for the privilege of feeling inadequate, and the daily repetition of reading those forty-seven words produced a gradual shift in my self-perception that I did not notice until it had already occurred, like the way you do not notice yourself growing until someone you have not seen in a year comments on how tall you have gotten ๐Ÿ“Œ

The shift manifested in small behavioral changes that accumulated into transformation: I stopped prefacing my opinions with "this might be stupid but" because the napkin said to fill the room loudly not quietly, I stopped apologizing when I asked for things I was entitled to including fair wages and respect and space on the subway because the napkin said to stop carrying myself like an apology, I applied for jobs I was not qualified for because the napkin said the room was empty before I entered it suggesting that my presence added value rather than imposing burden, and I started writing my own poems because the napkin proved that forty-seven words on a disposable surface could reach someone who needed reaching and I wanted to be the kind of person who left words for strangers to find ๐ŸŒฑ

I never saw the woman from table seven again despite looking for her every shift for the following six months, and I do not know her name or whether she wrote the poem herself or copied it from a source I have never been able to find through extensive searching, and the mystery of her identity has become part of the poem's power because not knowing who wrote it means the words belong to no one and therefore to everyone, and the napkin which I have kept for seven years is now barely legible with the blue ink fading and the paper softening from years of humidity in various bathrooms, but the words no longer need to be physically present because they have been absorbed into my operating system and have become the voice I hear when the old voice tries to tell me I am taking up too much space ๐Ÿ’›โœ๏ธโœจ

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About the Creator

The Curious Writer

Iโ€™m a storyteller at heart, exploring the world one story at a time. From personal finance tips and side hustle ideas to chilling real-life horror and heartwarming romance, I write about the moments that make life unforgettable.

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