Into the Noise

Miami’s underground electronic scene is about to get a jolt of raw, immersive energy. Enter Nosivel—the sonic alter ego of David Levison, whose live sets blur the line between industrial intensity, techno drive, and glitch-heavy experimentation. Known for building his music in real time using modular synthesis, Nosivel doesn’t just perform tracks, he constructs evolving soundscapes that feel alive, unpredictable, and deeply physical.

As one partygoer, Chris D, put it: “Nosivel’s eccentric performance comes off the stage not only with the heavy dark beats but with the electric personality performing it. He commands the room with heavy industrial sound that blends glitch and techno.”

With two highly anticipated shows on the horizon, including a birthday set at CV Freqs inside Carolina Sardi Studios on Saturday March 28th and a darker, high-voltage night at Churchill’s for Nights in Necropolis on Wednesday April 8th, Nosivel is carving out a distinct space in Miami’s underground. Whether you’re drawn to heavy rhythms, glitchy textures, or boundary-pushing electronic art, these performances promise an experience that’s as cerebral as it is visceral.

We caught up with Nosivel to talk identity, improvisation, and the machines behind the music.

Your stage name is Nosivel, but many people also know you as David Levison. What does the name mean?

Nosivel: Nosivel is my last name spelled backwards—Levison reversed. I liked the sound right away, but the meaning evolved. It’s really about transformation and perspective. Flipping something around lets you see it differently, and that’s how I approach music—taking familiar elements and reshaping them into something new. Over time, Nosivel has also become a kind of character in my work—an evolving presence learning through sound.

You’ll be performing at CV Freqs at Carolina Sardi Studios on your birthday. What makes that show special?

Nosivel: It’s a unique space—more of an art environment than a typical venue—so people listen differently. That lets me approach the set more like a live piece of sound art. It’ll still be rhythmic and intense, but more open and evolving. Plus, the lineup is incredible, with artists like Jorg Barr, MEI (coming from France), and ALX-106. And honestly, spending my birthday making noise with this community is the best way I could celebrate.

How would you describe a Nosivel set to someone new?

Nosivel: It’s beat-driven, but not exactly techno. There’s a strong industrial influence, distorted drums, heavy bass, glitchy textures, and evolving modular sequences. I think of it like building a machine in real time. There’s a balance between structured rhythm and chaotic sound design. It can get heavy and abrasive, but it’s always intentional.

You’re also playing Nights in Necropolis with Blush Response. Will that set feel different?

Nosivel: Definitely heavier and darker. Blush Response has such an intense sound, and that kind of lineup pushes everything further. I’m expecting more distortion, harsher textures, and relentless rhythms. With the full venue activated—including the Dirty Circuit Life show outside—it’s going to be a high-energy night. Churchill’s will be rocking.

Your sets rely on modular synthesis. How much is planned vs. improvised?

Nosivel: I prepare a lot—designing sounds and building a stable system but the performance itself is mostly improvised. I’m shaping patterns, sequences, and textures in real time based on the energy in the room. That’s the beauty of modular, every set ends up different.

What’s the vibe like at your shows?

Nosivel: Very engaged. A lot of the audience are musicians or deeply into sound, so there’s a shared curiosity.

I can feel when the crowd wants something heavier, more rhythmic, or more experimental, and I adjust in the moment. That feedback loop is one of the best parts of performing live.

What’s next for you in 2026?

Nosivel: I’m working on my second EP, The Singular String. It builds on themes of identity and expands into something more universal, how experiences connect over time. Sonically, I’m pushing further into industrial and modular, with more glitch, fragmentation, and layered sound design, while keeping it heavy and physical. I’m also heading to Superbooth in Berlin for the first time, which is huge for the modular world. Overall, 2026 is about expanding—new music, more shows, and continuing to evolve the Nosivel sound.

Visit nosivel.bandzoogle.com